Microcosm mean5/2/2023 Contents were developed by CERN in collaboration with spanish design team Indissoluble. The current exhibition officially opened in January 2016. Entrance is free, without reservation, open 6 days a week. Microcosm is located at CERN in the Canton of Geneva, Switzerland, near the town of Meyrin. The annex to the exhibition contains other historical artifacts such as the central tracker from the UA1 detector, which ran at the Super Proton Synchrotron at CERN from 1981 to 1984, and helped discover the W and Z bosons. The computing section displays some of the Oracle data tapes used to store the 30-40 petabytes of data produced yearly by the experiments, made available for analysis using the LHC Computing GRID. The exhibition continues with a 1 :1 scale model of a complete slice through the CMS experiment at the LHC. Visitors can interact with the displays to try their hand at the controls of a particle accelerator – simulating the acceleration of protons in the LHC and bringing them into collision inside the experiments. The exhibition displays many real objects, taking visitors on a journey through CERN’s key installations, from the Hydrogen bottle, source of the protons that are injected into the LHC, through the first step in the accelerator chain, the Linac, on to a model of a section of the Large Hadron Collider including elements from the superconducting magnets. Through five works of fiction, it has grown as a vividly realized, microcosmic world, acting as a setting for the dilemmas of its unique individuals and also exercising its own powerful dynamic on them.Microcosm is an interactive exhibition presenting the work of the CERN particle physics laboratory and its flagship accelerator the Large Hadron Collider (LHC). Thomas insists that Manawaka is the most famous of these microcosms: "But no town in our literature has been so consistently and extensively developed as Margaret Laurence's Manawaka. One thinks of Stephen Leacock's Mariposa, Sinclair Ross's Horizon, Robertson Davies's Deptford, and Alice Munro's Jubilee, to name but a few. Canadian fiction is famous for its regional richness: "A 'Dictionary of Canadian Mythology' would contain a very large entry under 'Small Town,'" as Clara Thomas declares in The Manawaka World of Margaret Laurence. Many great writers have created mythical microcosms based on their birthplaces: we recall Walter Scott's Waverley, Thomas Hardy's Wessex, William Faulkner's Yoknapatawpha County, and Sherwood Anderson's Winesburg, Ohio. Nothing can traverse national boundaries so easily as the human imagination, and the artist uses fiction to recreate a private kingdom for Everyman or Everywoman to inhabit. Margaret Laurence metamorphoses the actual town of Neepawa into the mythological microcosm of Manawaka, the setting of her Canadian novels- The Stone Angel (1964), A Jest of God (1966), The Fire-Dwellers (1969), A Bird in the House (1970), and The Diviners (1974)-as I will argue in this essay. which one hopes will ultimately relate to the outer world which we all share" (HS, 3-4). Most of all, I like to think, it is simply itself, a town of the mind, my own private world. In almost every way, however, Manawaka is not so much anyone prairie town as an amalgam of many prairie towns. In "A Place to Stand On," the opening essay of Heart of a Stranger, originally titled "Sources," Laurence clarifies connections and delineates differences between her factual, personal hometown and her fictional, universal "town of the mind": "Manawaka is not my hometown of Nee paw ait has elements of Nee paw a, especially in some of the descriptions of places, such as the cemetery on the hill or the Wachakwa valley. Neepawa was the model for Margaret Laurence's Manawaka-the name an amalgam of Manitoba and Neepawa. It seemed better to arrange them geographically, as travel articles, and this also includes a kind of thematic arrangement, for they end, as most outer and inner journeys end, in a home-coming." The small prairie town referred to in Heart of a Stranger is, of course, Neepawa, Manitoba. I have not arranged these essays in the order in which they were written. And by travel, I mean both those voyages which are outer and those voyages which are inner. Laurence wrote a preface to this collection that exists in manuscript at McMaster University, but which was never published-unfortunately, because it illuminates the autobiographical import of the essays-perhaps because the pattern of her life was clear to her by the time she wrote it in 1976: "I saw, somewhat to my surprise, that they are all, in one way or another, travel articles. This passage introduces "Where the World Began," the concluding piece in Margaret Laurence's 1976 collection of travel essays, Heart of a Stranger, which functions as an autobiography, charting her life journey.
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